Joseph Ducreux

Joseph Ducreux
Self-portrait, yawning, c. 1783
Born(1735-06-26)26 June 1735
Nancy, Duchy of Lorraine
Died24 July 1802(1802-07-24) (aged 67)
Between Paris and Saint-Denis, France
Known forPortrait painting
SpousePhilippine Rose Cosse
ChildrenRose-Adélaïde
AwardsPremier peintre de la reine

Joseph, Baron Ducreux (26 June 1735 – 24 July 1802) was a French noble, portrait painter, pastelist, miniaturist, and engraver, who was a successful portraitist at the court of Louis XVI, and resumed his career at the conclusion of the French Revolution. He was made a baron and premier peintre de la reine (First Painter to the Queen), and drew the last portrait ever made of Louis XVI before the king's execution. His less formal portraits reflect his fascination with physiognomy and show an interest in expanding the range of facial expressions beyond those of conventional portraiture.

Life and career

Born in Nancy, his father Charles was a premier peintre (first painter) to Stanisław Leszczyński in Nancy. Ducreux may have trained in Nancy with his father. When Ducreux moved to Paris in 1760, he is believed to have trained under the pastelist Maurice Quentin de La Tour, who specialized in portraiture, although there is not much supporting evidence to suggest this apprenticeship.[1] There is more evidence that he studied under Jean-Baptiste Greuze who was a close friend and an important influence on Ducreux's oil technique.[2]

Marie-Adélaïde Clotilde Xavière of France, called Madame Clotilde, playing the guitar.

He married Philippine-Rose Cosse at the The Church of Saint-Sulpice on 12 November 1760 under a contract signed three days earlier. His wife's sister, Marie-Jacqueline, had married Louis-Joseph Maignen of the family that became closely connected with Ducreux. Ducreux was reçu by the Académie de Saint-Luc (the 'Academy of Saint Luke'), the Paris guild of painters and sculptors, in 1764. In 1769, Ducreux was sent to Vienna in order to paint a miniature of Marie Antoinette before she left the city in 1770 and married the future Louis XVI. Ducreux was made a baron and premier peintre de la reine (First Painter to the Queen) in rewards for his services. Ducreux was given this appointment by Marie-Antoinette even though he was not a member of the Royal Academy of Painting and Sculpture, which had been founded in 1648. The academy was strictly hierarchical and the posts of first painter, ordinary painter and inspector or inspector general of royal factories were customarily reserved for members of the academy.

At the outbreak of the French Revolution, Ducreux traveled to London. There he drew the last portrait ever made of Louis XVI before the king's execution.[3]

Jacques-Louis David became one of Ducreux's associates when the latter returned to Paris in 1793. David helped Ducreux continue an official career. Ducreux's residence became an informal salon for artists and musicians, who commissioned portraits from him. One of these musicians was his friend Étienne Méhul, who is said to have based the main character of one of his operas on Ducreux.

The Discreet One

Ducreux had many children. His oldest son Jules was a painter and infantry captain who perished in the Battle of Jemappes. Sseveral of his paintings still exist. His other sons died young. His eldest daughter, Rose-Adélaïde Ducreux, also became a painter, as did his daughter Antoinette-Clémence.[4]

Ducreux died on 24 July 1802 of an apoplexy while walking from Paris to Saint-Denis.[1]

Work

Ducreux specialized in portrait painting. He completed his early portraits in pastel, including those of connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July. These works may have been copies after De La Tour. Although Ducreux cataloged his works in list form from 1760 onward, he rarely signed his paintings. Thus, many of his works remain erroneously attributed to other artists.

Other portraits by Ducreux include those of Pierre Choderlos de Laclos and Maria Theresa of Austria, as well as those mentioned above of Louis XVI and Marie Antoinette. Ducreux also made several self-portraits in the 1780s and 1790s, including one in 1783 in which he painted himself in the middle of a large yawn (the Getty Center, Los Angeles).[5] In another, Self-portrait of the artist as a mocker (c. 1793, Louvre), the artist guffaws and points at the viewer.[6]

Self-portrait of the artist as a mocker, c. 1793, used in the internet meme

With these self-portraits Ducreux attempted to break free from the constraints of traditional portraiture. His interest in physiognomy—the belief that a person's outer appearance, especially the shape and lines of their face, could reveal their inner character—influenced him in creating his warm and individualistic works. For example, his portrait Le Discret (c. 1790) depicts a man with a timorous facial expression requesting silence by pressing his finger against his mouth, gesturing by which he appears to be demanding discretion or prudence.[7]

Through unusual body language and physical appearances, these portraits parallel the vivacious tronies of Dutch Golden Age painting and the "character heads" of contemporary Austrian sculptor Franz Xaver Messerschmidt (1736–1783), some of whose busts were self-portraits with extreme expressions.

Internet meme

A reproduction of Ducreux's self-portrait Portrait de l'artiste sous les traits d'un moqueur became subject to internet popularity as part of an internet meme in the late 2000s and early 2010s. In the meme, rap and pop song lyrics, common internet phrases, and similar tropes are paraphrased in verbose, stilted, or faux-archaic English and overlaid on top of the portrait to create an image macro.[8]

  • Self-portrait, c. 1791
    Self-portrait, c. 1791
  • Etching by Ducreux, 1791
    Etching by Ducreux, 1791
  • Marie Antoinette, 1769. The portrait was sent to the future king of France Louis XVI, so he could see his bride before they met.
    Marie Antoinette, 1769. The portrait was sent to the future king of France Louis XVI, so he could see his bride before they met.
  • Benjamin Franklin in a blue coat and fur collar, 1777
    Benjamin Franklin in a blue coat and fur collar, 1777
  • Self-portrait with natural long hair, NM 7496, c. 1798, Louvre
    Self-portrait with natural long hair, NM 7496, c. 1798, Louvre

References

  1. ^ a b Jeffares, Neil (6 June 2013). "Profile of Joseph Ducreux in the Dictionary of Pastellists before 1800" (PDF). Pastels & pastellists. Retrieved 9 September 2024.
  2. ^ "Joseph Ducreux". Artists. The J. Paul Getty Museum. Archived from the original on 9 July 2010. Retrieved 19 May 2011.
  3. ^ "Louis XVI" (in French). Retrieved 27 November 2010.
  4. ^ Profile of Antoinette-Clémence Ducreux at the Dictionary of Pastellists Before 1800.
  5. ^ "Joseph Ducreux". The J. Paul Getty Museum. Archived from the original on 8 October 2012. Retrieved 27 November 2010.
  6. ^ White, Don Frederic Anthony (1793). "Portrait de l'artiste sous les traits d'un moqueur". Louvre Museum Official Website (in French). Retrieved 27 November 2010.
  7. ^ "European & American Art". Spencer Museum of Art. Archived from the original on 1 September 2006. Retrieved 27 November 2010.
  8. ^ Klee, Miles. "Vanishing Point (Your Memes Reviewed): The Joseph Ducreux Self-Portrait". Retrieved 15 May 2011.

Further reading

  • Georgette Lyon, "Joseph Ducreux. Premier peintre de Marie Antoinette," Paris, 1958 (in French)
  • Emilie-Juliette Gauby, "Joseph Ducreux 1735–1802 Peintre de portraits", Student at Blaise Pascal University Clermont II, 2004 (in French)
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